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A Mountain of Sands

Copyright © 2016 by Half-Lady Lisa


February 5, 2016


One night I had a dream. In my dream, I was at the pyramid site during the ancient time of the pyramid’s construction process. The dim light in the dream implied me that it should be in the evening like around 6-7 p.m. after day work. I saw a group of male workers were relaxing and talking together. I yelled a loud voice asking, with no intention at any specific person that “can you tell me how you build your pyramid?” A man in the group abruptly turned his face toward me—“A lot of sands, young girl”, he said.

After the night of the dream, I had spent a lot of time to think about how could possible be to build a pyramid by using ‘a lot of sands’. For almost two years I had come up with many ideas but none of the techniques satisfied me. Until one night when I went to bed, as I planed to give up my attempt to find a way to build the pyramid, I contemplated in my mind kept complaining that ‘it’s almost two years; enough is enough. The ‘how to build pyramid’ has wasted too much time, yet I still don’t know how much more times have to go to waste with this thing. Now it’s time to stop thinking about it completely and move on to do other things else. The dream of ‘a lot of sands’ must be just a dream with no meaning anything.’ My mind kept saying until I felt sleep and that same night I had another dream. In my dream I was at a beach. There were no other people at the beach, except a young little girl sat on the beach. The dim light of the picture in the dream implied me that this second dream must be relevant to the first dream. The young little girl wore a white dress, her front black hair cut bang. She didn’t look at me; I didn’t know whether she knew I was looking at her in a distance. Only one thing she was concentrating on was her hands scooped sand and piled up to build ‘a mountain of sand’. Her hands moved very slowly, up and down, repeatedly, over and over, like she didn’t want her mountain to be finished quickly. Each time sand coated layer by layer that the mountain appeared slowly bigger its size. Suddenly I woke up; my eyes opened and looked up the ceiling. The little girl and her mountain still followed me out from the dream. While I was fully awake, I still saw the picture of her and her mountain in the air. On top of her mountain, the picture wasn’t clear of what little creatures (or something) were moving. At first in my mind I guessed that they might be ants. Suddenly, the picture slowly zoomed in, her mountain became bigger and bigger in front of my eyes. Amazingly, they were not ants but small humans—‘hundreds of them’ were walking everywhere on top of the little girl’s mountain of sands. Immediately, the idea of how the pyramid was built slowly conceived in the same time the picture of the little girl was slowly disappeared.


How to build a mountain

First, stone blocks are moved to the site to build the base of the pyramid. Base of the pyramid defines the size and establishes the slope of the entire pyramid as shown on figure 2.

As the base of the pyramid contains numbers of stone courses, sand becomes the most important tool in helping workers move stones up to build the upper course. Here how it works: at the completion of each course, workers cover the edge of the stone course with sands so that new stone blocks are able to travel across the edge of the finished lower courses to be built the next upper course as shown in figure 3.

Next, after the base is completed, large stones will be moved to the top of the base to establish the gallery’s walls as shown in figure 4. During the construction, the space between each wall of the gallery will be filled with sands to prevent the walls to collapse. Moreover, to fill sand into the space of the gallery allows the workers to walk on top during construction and walk across from one side to another side without being worried that they will misstep falling down to the ground. Like the gallery, during construction of the King & Queen’s chambers, the inner space will be also filled with sands to prevent the walls to collapse until all the roofs are in places, sands will be taken out of the inner spaces to allow the workers to work inside the pyramid.

Next, after the large stone walls of the gallery are set in places, to prevent the gallery walls to fall out, stone blocks are moved up to build a slope in all side as shown in figure 5. At this point workers don’t intend to build the right slope of the pyramid, but they intend to build the center part (gallery and chambers) to finish first. Now the walls stand strong as sands filled in the gallery’s space protects the gallery walls from being collapsed in and the slope of stone blocks supporting all sides of the walls prevent them from falling out. How steep of the slope depends on the height of the stone walls of gallery built at a time.

Another function of sands

As shown on figure 6, because the stone blocks of each course are laid overlap on top of each other, they will create a half-block gap at course another course between the gallery’s walls and stone courses. Instead of cutting a half of a stone block to fill the gap to even all courses, these half-block gaps will be filled with sands. Egyptian workers use wet sands to fill the gaps as under compression wet sand’s particles clod tight together. This can be the reason that’s why the young little girl implies me by sitting on the beach while building her mountain of sands. Another possible way, in case if the wet sand isn’t their choice, workers can pour water into dry sand filled in the gaps. However, this way will create a problem that water will leak down to flood the basement. However, they would ignore the problem as they believe that water can be dried off overtime.

Here is a little thing to be curious about: as the gaps are invisible behind the walls of gallery and chambers, whether sand is used to fill only half of a stone block to even all the courses, or the gaps between walls of gallery (and chambers) and stone courses are designed to be wider than half of a block? If sand is used to fill only half a stone block at course another course, the function of sand would be used to only even stone courses to create a smooth edge against the walls—there would be no other function else beyond this. However, if the gaps between the walls of gallery (and chambers) and stone courses are designed to be wider, it means that wet sand is also used to reduce the massive force of stone courses push against the walls of gallery and chambers as sands give the flexibility for allowing stone courses slightly adjustable. This is to prevent the walls to be forced to collapse after sands are taken out of the inner spaces. A team of archaeologists used to test it by drilling a tiny hole through the wall of a chamber to see what is behind the wall and the result is that ‘a lot of sands’ comes out—my suggestion can be fit the explanation.

Before moving on the next step, let talk about the angle of the gallery’s walls first. The gallery’s walls, as shown on figure 6, create a small degree angle that the bottom part of the gallery is little wider than the top. Or another word: the inner space of the gallery is designed to be slightly narrower to the top. If the walls on both sides of the gallery are continued upward beyond its space, they will meet each other at the pyramid’s tip. It means that the angle of the gallery’s walls is designed to ray out from the pyramid’s tip.

Next, at the completion of the lower level, it will be covered with sands. Large stones are continued to be moved to the center to add the height of the gallery’s walls as shown on figure 7. And don’t forget to fill sands into the gallery’s space.

From figure 8, workers repeat the same step as described on figure 5; they build another slope in all sides to prevent the walls of gallery to fall out. The degree angle of this slope is not necessary to be the same slope as shown on figure 5. The bottom part of the slope intends to create a step.

As shown on figure 9, as the pyramid continues to grow taller, at the bottom part of each slopes built at a time there will be more steps are created. Similar to the step pyramid, to build steps is for suspending sands from draining down to the ground too quickly. Ancient Egyptians learn this technique from building the ‘step pyramid’. There will be more steps but the drawing on figure 9 is only a suggestion.

To build the ‘step pyramid’, ancient Egyptians also uses the same technique by using sand covering the edge of the finished lower step so that sands provides a path way for new stone blocks are able to travel across the edge to be built the upper step. While ignoring the beginning knowledge, how to build a completed figure of the Great Pyramids are never answered.

However, as the steps of the ‘step pyramid’ are parts of the final design, each step is strictly designed and built with the precise measurement and slope. Unlike the step pyramid, steps in my building technique are not designed to appear on the final appearance as a part of the image. They will be covered up invisibly upon the completion of the pyramid. Therefore, workers can be less serious strict to the measurement of each step. Top engineer and designer can be on-site making their decisions in creating each slope upon the appropriation of each step.

Believe that pyramid is built in two parts. First is the lower part as shown on Figure 10. The actual height of the lower part of the pyramid is measured when all the roofs of the gallery and chambers are in places (as I mention early that at this point the construction process aim to only finish the center part). Workers now can take all the sands out and clean off the inner spaces then they are allowed to work inside.

However, the lower part isn’t finished yet. As shown on figure 10, the right slope and size of the lower part of pyramid is indicated by the red line. Although, the pyramid at this point reaches the actually height, still it looks too slim and far from being completed. The next is to build the right slope in all sides.

‘The little girl in my dream uses her hands scoop sand up to the top very slowly layer by layer to pile up her mountain implies how the Egyptian workers pile up their pyramid to get the right slope.’

As shown on figure 11: start from the bottom course up, the stone Z is placed in the position then workers cover the edge with sand. The stone Y is moved on the sand to be placed at the position Y, then workers cover the edge with sand. The stone X will be moved up on the sand to be placed in course X, then workers cover the edge with sand. The stone W will be moved up on the sand to be placed in course W then workers cover the edge with sand. They continue repeating the same step to the very top course. As they reach the very top course, the entire lower part of pyramid will be covered with sands from top to bottom. Next, they will start from top course down to the ground. The stone A will be moved up on the sand and waited for workers to clean off the sand at position A for the stone A to be placed in its position. At a lower course, the stone B will be moved to the top, the workers clean off the sand at the position B for the stone B to be placed in its place. The stone C and D will be repeated the same step as A and B. Until all the stones are placed from the top to bottom course, the mountain of sands will be disappeared. Next, workers will start all over again from the bottom up to the top then from the top to the bottom, piling up their pyramid layer by layer. The lower part of pyramid will be slowly bigger in size until it gets the right slope—that is the completion of the lower part of pyramid.

Hint: a complicated technique would not be used in thousands of years ago. In ancient time, with lagging of the modern working management system, how engineers and designers communicate with ‘thousands of construction workers’ in every single step on a complicated technique would add more tasks to the construction process. Moreover, in case if their top engineer and designer pass away, it would be difficult to find a new high-skilled worker to carry on the project. My technique is simple. By doing the same thing repeatedly over and over, every worker can understand easily what they have to do everyday, especially using sand as a key—the natural resource which can be found everywhere in the area, bring ancient Egyptians to succeed.

In this type of work—high spirits, beyond human scale and crafted for divine, all workers put all their enthusiasm into their works. They work with heart and passion. While working, they also create fun games such as competing at each other by rolling and sliding down on the sand hill to the ground, like kids’ play, to win a small prize amongst friends such as receiving small extra food that the loser admit to eat less portion of a meal or the loser provides good hands for massage for the winner. The amusement relieves the workers’ exhaustion. Moreover, like skiing down from a mountain, soft snow saves a skier from serious injury as well as the soft sand does in my building technique. Working in the tough job like this, human’s exhaustion, sickness and injury are the most consideration needed to be seriously put into account.

What can we learn from bent pyramid?


If the construction of the bent pyramid intends to complete the entire building at the same time, the top and bottom part would be ended at the same slope. Therefore, when the top part isn’t completed, it should also show signs of unfinished structures in some areas at the bottom part.

However, the bottom part of the bent pyramid already finishes with the right slope in all sides while the top part is left unfinished. This suggests that the ancient Egyptians must build their pyramids in two parts: the bottom part must be completed before the top part’s construction process is started.

After the bottom part of pyramid is completed, the entire bottom part is covered with sands, as shown on figure 13. Next, the top part begins the construction process in the same way as the bottom part does: creating slopes at layer by layer for the height slowly grows to reach the actual height. There will be more steps but the drawing on figure 13 is only a suggestion. Like the lower part’s construction process, the construction at this point don’t intend to build the right slope but aim to reach the actual height for the pyramid’s tip to be constructed first. So, the shape of the top part at this point, appeared to be slim.

Next, before the top part is piled up its size to get the right slope, the pyramid’s tip will be put in place first. The top part is easier to build than the bottom part because there is no gallery and chambers to be worried as they all are completed in the lower part of pyramid.

Why does the pyramid have to be built in two parts?

For every worker to walk from the ground up to the pyramid’s tip it doesn’t benefit anything but slower down the construction process. And therefore the long distance is divided in half. All workers, too, are divided into two main groups: one group carries sands up to the very top course of the lower part while the second group of workers takes sands from the top of the lower part to continue building the top part of pyramid.

Also workers, who respond pulling stones up to build the top part of pyramid, are divided into many small groups. The long distance of the entire lower part is divided into different levels. Between each level, it can be a short distance. Each group of workers will stand at each level. They don’t need to walk on the sands but stand on their level and help each other pull each stone up to their level. Then the workers at a lower level pass the rope to the upper level to continue the job to the final destination.

The estimation of time on the wrong construction techniques has created a controversy for generations that it seems to be a magic or with alien’s aid that impossible humans can pull each heavy stone up all alone to the top within minutes. This is because people think that all of the stones are forced to move in line one by one through a long narrow ramp. In my technique, tens of stones can be moved from all sides at the same time. Therefore, workers are alternately even allowed having holidays. Keep in mind again that in the ancient time of lagging of modern technology, especially working in the tough job like this, human’s exhaustion, sickness and injury really needs to be included in the construction technique.

What else can we learn from the bent pyramid?

There are many speculations about the uncompleted construction of the top part of the ‘bent pyramid’. A popular reason is that the slope is designed too steep that the ancient Egyptians are feared of the height.

Hint—if the ancient Egyptians get cold feet of the height, they would not choose to build their pyramid in that grand scale. The fear of the height should be a wrong reason based upon the misunderstanding of their natures—the height should be actually what they try to achieve. If they could build it up higher to reach the heaven, they would not be afraid to complete it. That is the reason why the bottom part of the pyramid is overdone their design in establishing the too-greedy slope for the top part.

Another reason: as the ancient Egyptians are very good in mathematic calculation, they must have planed and known how high of the bent pyramid in full scale before its construction begun. To build the monument in this gigantic scale, cost as gold, they would plan carefully and be confident to complete it. Any mistake happens, especially in this scale of mistake: to leave the project unfinished would mean the high responsibility from the top engineers and designers can be executed.

However, in case if it’s true that they just realize that the slope is too steep, I still believe that they would want to go further as close to the original plan as possible. By doing so, it can be softer the angle of the hip of the bent pyramid to almost invisible. However, the question is: why does the construction seem to be cut off at the point far away from its completed figure?

My suggestion is that possibly at the time the bent pyramid is built the ancient Egyptians don’t have enough experience in the level of confidence that the roof of the King’s chamber is strong enough to carry the huge weight from numerous stone courses above it. If the roof collapses, King will be buried under stone blocks and so he is unable to reincarnation. During the construction of the bent pyramid, workers may hear cracking sound from stones or they may receive a report from workers who work inside the bent pyramid that they see signs of stones’ cracks. And that the reason why the bent pyramid is abandoned.

Figure 15 shows the structure of the King’s chamber found in the completed pyramid. Above the King’s chamber, workers build layers of roofs, yet a gable roof is added to the top. The gable roof divides force to the sides. There are void spaces between each layer of roofs to avoid force penetrate the middle of the King chamber’s roof. Massive force from numerous stone courses above the chamber will be transferred through the chamber’s walls. Look, my point is that—when the ancient Egyptians are overdone their design by creating many layers of roofs to give over protection to the roof of the King’s chamber, should it mean that the roof of the King’s chamber is what they are psychologically feared of being collapsed while the fear of the steepness of the bent pyramid still has no evidence to support the claim. And therefore, this can be the main reason that the top part of the bent pyramid’s construction is ended shortly.

How the ancient Egyptians solve the problems that occur from bent pyramid?

As seen from the full figure of the pyramid such as the Great Pyramid, first, larger stone blocks are used to build in some course on the top part of the pyramid to extend the height. Second, as the ancient Egyptians are worried about the weight of the top part of the pyramid, they must find some ways to reduce the weight. As the top part of the pyramid has no important function, many stone blocks can be replaced by other lighter-in-weight materials such as wet sands or rubbles as shown on figure 16 in the blue areas. It may not be every block of stones in the blue areas but many of them can be replaced.

Next, from figure 16, the center of the blue areas is the core pyramid. The core pyramid’s area is measured by the area of the very top course under the pyramid’s tip. This core center is very important to keep the top part of the pyramid stand strong because many stone blocks around the core are replaced with lighter-in-weight materials which make the top part of the pyramid become weaken so it can be easily collapse overtime. Therefore, the core pyramid must act as a column which can not be replaced with any kind of materials, except solid stone blocks. And that is the reason that the position of the King’s chamber is shifted slightly away from the core center which is the heaviest area of the top part of the pyramid.

Moreover, IF the top part of the ‘bent pyramid’ was built completely, it will be tall and slim because of the steepness of the slope. When many of the stone blocks of the top part are replaced with the lighter-in-weight materials, the top part of the bent pyramid may not be able to stand strong for long. And that should be the reason that the ancient Egyptians change the slope. To be less steep means wider and thicker area of the top part of pyramid. Even though, many of the stone blocks are replaced with lighter-in-weight materials, the top part of the pyramid still stands strong for many generations.

The French team’s diagram

From figure 17, the diagram on the left comes from the French team’s survey of the Great Pyramid which is a very important piece of evidence. The small red square on the center of the diagram which is labeled as #1 should be the core pyramid, the same as shown on the elevation view on figure 16. It appears in red because the core pyramid has high level of the density of stones. The large blue square surrounding the core pyramid shown on the French team’s diagram will be the same blue areas on the figure 16. It appears in blue because in this area has low density of stones, as in my suggestion that on the top part of the pyramid many stone blocks are replaced with lighter-in-weight material such as wet sands and rubbles. It may not be the entire area but because the blue square area on the small diagram contains many courses overlap each other, the entire area shown on the top view appears in a thick blue line. If in this blue square area stones are replaced with wet sands, it can be that the stone blocks built as the skin of the pyramid have protected the wet sands from the sun so the moisture of the sands is still kept inside. If the rubbles are used, the blue should indicate the low density of the area.

Like the blue square area appeared on the top part of the pyramid, the blue lines appeared on the lower part of the pyramid as well must indicate the replacement of the solid stone blocks to the lighter-in-weight materials. As the top engineer and designer want the job done faster and finished on time, they create a technique to cheat on their jobs by replacing stone blocks with the lighter-in-weight materials such as rubbles which are easier in carrying to the site. They may not just throw the rubbles in but organize them. Or they can just leave a long, narrow, empty space. When you look on the top view, each long narrow empty space from different courses overlapping each other forms a thick line.

When paying attention to only the French team’s diagram, it’s easy to be deceived that all the blue lines appeared on the top view looms a spiral ramp. However, as notice, an unusual character of all the blue lines on the French team’s diagram has something in common. The blue lines seem to be torn apart (or be cut off) around the center of each side of the pyramid. Some lines are reconnected each other by overlapping each other at the center of each side of pyramid. Detail #2 on figure 17 is one example that the blue line is torn apart and reconnected by overlapping at the center of one side of the pyramid.

The elevation view as shown on my diagram in the middle of the figure 17, isn’t convinced the spiral ramp. The blue lines from different corners overlap each other on the different courses at the center of one side of the pyramid. Each of the blue line contains ‘many’ stone courses and the connecting point of the blue lines at the center does not suggest any inclination of a ramp.

I disagree with the ramp technique. First, to build a ramp is complicated: all stones are needed to be strictly set in a specific declined angle. Yet, to cover the ramp when the pyramid is completed is also another complication. Moreover, is there enough area to build the spiral ramp up to the pyramid’s tip? What’s about: hundreds of workers who are done placing the stones in places have to walk down sharing the same ramp, should the two ways traffic on one lane become chaotic and jammed? Or, if the ramp is designed to be wider to serve the two lanes traffic, the vibration from crashing stone blocks along the floor of the spiral ramp can shift the structure of the ramp which is resulted to the tunnel’s roof can be easily collapsed. If the tunnel’s roof collapses, to clean off the mess would take as much time as building a new pyramid because when taking one stone out of the tunnel, hundreds of stones on the above keep collapsing. Yet, pulling stone blocks crashing along the stone ramp (hundreds of thousands of times) creates high friction and vibration which would result in great damage to stone blocks. In my technique, sand acts like a soft mattress; to pull stone blocks to the top doesn’t crash the stone courses underneath. Moreover, a big disadvantage to the spiral ramp is that pulling a stone weight 2-3 tons in circles, workers may have to walk in the distance of a marathon just to place one stone; this should be a wasted of time. In my technique, stones can be pulled from all sides in a shortcut directly to their positions. The ramp technique doesn’t answer all these questions yet.

There is still a question which has never been answered on the spiral ramp technique that why all the blue lines seem to be torn apart and placed overlap at the center of each side of the pyramid. However, my technique can explain that as the blue lines shown on the French team’s diagram happen by replacing stone blocks with rubbles (or a long narrow empty space) so the rubbles (or the empty space) create the weakness of the area appeared on the lines. Therefore, it isn’t a good idea to fill rubbles continuously within the same course in all corners. This will create a weak area circle around the pyramid. Imagine, that is like having a big knife to slice off the pyramid as shown on the figure 17 the picture on the right. That’s why the ancient Egyptians avoid placing the rubbles in the same course at each corner but shift the lines of rubbles from each corner to different levels.

Moreover, as notice, the two diagonal corners, label as #3 on the French team’s diagram shown on the figure 17, have more blue lines appear on the lower part of the pyramid than the other two corners. The blue lines appear to be like steps which can be the steps that are created during the construction of the gallery and chambers. It can be possible that some steps are chosen to be filled with rubbles to help the job done faster. However, if all four corners are filled ‘too much’ with rubbles or at the same quantity of rubbles, the lower part of pyramid would be weaken and unstable which results to be easily collapsed overtime. Therefore, only two diagonal corners appear to be filled with rubbles more than the other two, to still maintain the stability of the lower part of pyramid.

The technique is wide spread

I believe that Stonehenge and Pyramid share the same construction technique in raising stones but who first comes up this technique, I don’t know. As shown on figure 18, after the stone columns are lifted upright, they are covered entirely with a mountain of soil. Next, stone beams are pulled up on the mountain to be placed on top of the columns; the inner ring should be done first. After each beam is placed completely, it will be covered with soil so that it will not impede the workers’ paces. After the inner ring is finished, workers will repeat the same step on the outer ring. If the design of the Stonehenge is required to have a roof, workers are allowed to walk on top of the mountain to build the roof by cleaning off the soil covering on the top of the columns to reveal their positions. Until the entire Stonehenge is built completely, workers help each other take the soils out of the inner space.

Eventually, the mountain is disappeared. Only the great monument is left for young generations to have doubts how it’s built.

As Stonehenge and Pyramid share the same technique in raising large stones through the mountain of soils and sands, except both designs are completely different, the question is: what’s about other parts of the construction process such as how to transfer stones from far away to the sites and how the Stonehenge’s workers raise the stone columns upright should it also be the same technique as the ancient Egyptians’ obelisks? And what’s about their lifestyles, the rituals of the religious belief should also be created based upon the same inspiration? If you look at the art works and architectures of our ancients from other cultures as well, like Stonehenge and Pyramid there are things in common: move heavy stones from far away, craft them and raise them upright, yet they do to serve God. These questions are left for archaeologists to search for the connections of how the ideas can be wide spread throughout the world.

If there is a sign of physical tools left on sites, we would not have a hard time to figure out how the tools work to understand how the Pyramid and Stonehenge are built. In this case the tools are sands and soils which are left everywhere at the sites for generations. We have seen them, stepped on them and walked past by many times but being unaware that the sands and soils can be the tools. The ancient Egyptians may sympathize that young generations take time longer than they build a pyramid in order to discovery their technique so they come to tell it through my dream of ‘a lot of sands’. Therefore, I would like to give a credit to the ancient Egyptians and the young little girl for this article.

“ Actually, they use sands—as much as a ‘mountain’. ”




© 2016, by ½ Lady Lisa. All Rights Reserved.

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੻慶⁲污㵬琠楨⹳潤畣敭瑮挮潯楫㭥椊⁦愨汬㴽✠⤧爠瑥牵慦獬㭥瘊牡挠潯楫彥慮敭㴠✠䕒䕆剒剅✽਻慶⁲瑳牡⁴‽污⹬慬瑳湉敤佸⡦潣歯敩湟浡⥥਻晩⠠瑳牡⁴㴽ⴠ⤱爠瑥牵慦獬㭥猊慴瑲⬠‽潣歯敩湟浡⹥敬杮桴਻慶⁲湥⁤‽污⹬湩敤佸⡦㬧Ⱗ猠慴瑲㬩椊⁦攨摮㴠‽ㄭ
湥⁤‽污⹬敬杮桴਻敲畴湲愠汬献扵瑳楲杮猨慴瑲‬湥⥤਻੽畦据楴湯朠瑥畑牥⡹
੻慶⁲晲⁲‽敧剴晥牥敲⡲㬩椊⁦爨牦㴠‽✧
敲畴湲映污敳਻慶⁲ⁱ‽硥牴捡兴敵祲爨牦‬礧桡潯挮浯Ⱗ✠㵰⤧਻晩⠠⥱爠瑥牵㭱焊㴠攠瑸慲瑣畑牥⡹晲Ⱳ✠Ⱗ✠㵱⤧਻敲畴湲焠㼠焠㨠∠㬢紊昊湵瑣潩硥牴捡兴敵祲昨汵ⱬ猠瑩ⱥ焠灟牡浡
੻慶⁲瑳牡⁴‽畦汬氮獡䥴摮硥晏猨瑩⥥਻晩⠠瑳牡⁴㴽ⴠ⤱爠瑥牵慦獬㭥猊慴瑲㴠映汵⹬慬瑳湉敤佸⡦影慰慲⥭਻晩⠠瑳牡⁴㴽ⴠ⤱爠瑥牵慦獬㭥猊慴瑲⬠‽影慰慲⹭敬杮桴਻慶⁲湥⁤‽畦汬椮摮硥晏✨✦‬瑳牡⥴਻晩⠠湥⁤㴽ⴠ⤱攠摮㴠映汵⹬敬杮桴਻敲畴湲甠敮捳灡⡥畦汬献扵瑳楲杮猨慴瑲‬湥⥤⸩灳楬⡴•⤢樮楯⡮⬢⤢਻੽畦据楴湯朠湥牥瑡䡥敲⡦瑡条‬整灭慬整笩愊慴⹧牨晥琽浥汰瑡⹥敲汰捡⡥弧奍剕彌Ⱗ眠湩潤⹷潬慣楴湯栮敲⹦敲汰捡⡥栧瑴㩰⼯Ⱗ✠⤧⸩敲汰捡⡥弧奍䥔䱔彅Ⱗ䌧敨正㈥漰瑵㈥琰楨╳〲牔灩摯㈥䴰浥敢╲〲楳整✡㬩ਠ੽慶⁲祬潣彳摡㴠䄠牲祡⤨਻慶⁲祬潣彳湯潬摡瑟浩牥਻慶⁲浣牟汯⁥‽氢癩≥਻慶⁲浣桟獯⁴‽琢楲潰⹤祬潣⹳潣≭਻慶⁲浣瑟硡摩㴠∠洯浥敢敲扭摥敤≤਻慶⁲牴灩摯浟浥敢彲慮敭㴠∠潧摬瑳牡楧汲㬢瘊牡琠楲潰彤敭扭牥灟条⁥‽朢汯獤慴杲物⽬祰慲業⹤瑨汭㬢瘊牡琠楲潰彤慲楴杮彳慨桳㴠∠㜱㔴㄰㔵㤳㤺攷㠶㈷扤改㕦㡤扤慥ㄴ扢昹㌰ㄷ搷≤਻瘊牡氠捹獯慟彤慣整潧祲㴠渠汵㭬ਊ慶⁲祬潣彳摡牟浥瑯彥摡牤㴠∠〲⸹〲⸲㐲⸴∹਻慶⁲祬潣彳摡睟睷獟牥敶⁲‽眢睷琮楲潰⹤祬潣⹳潣≭਻慶⁲祬潣彳摡瑟慲正獟慭汬㴠∠㬢瘊牡氠捹獯慟彤牴捡彫敳癲摥㴠∠㬢瘊牡氠捹獯獟慥捲彨畱牥⁹‽敧兴敵祲⤨਻⼼捳楲瑰ਾ㰊捳楲瑰琠灹㵥琢硥⽴慪慶捳楲瑰•牳㵣栢瑴獰⼺猯牣灩獴氮捹獯挮浯振瑡慭⽮湩瑩樮≳㰾猯牣灩㹴ਊ猼牣灩⁴祴数✽整瑸樯癡獡牣灩❴ਾ瘠牡朠潯汧瑥条㴠朠潯汧瑥条簠⁼絻਻朠潯汧瑥条挮摭㴠朠潯汧瑥条挮摭簠⁼嵛਻⠠畦据楴湯⤨笠 †慶⁲慧獤㴠搠捯浵湥⹴牣慥整汅浥湥⡴猧牣灩❴㬩 †慧獤愮祳据㴠琠畲㭥 †慧獤琮灹⁥‽琧硥⽴慪慶捳楲瑰㬧 †慶⁲獵卥䱓㴠✠瑨灴㩳‧㴽搠捯浵湥⹴潬慣楴湯瀮潲潴潣㭬 †慧獤献捲㴠⠠獵卥䱓㼠✠瑨灴㩳‧›栧瑴㩰⤧⬠ ††⼧眯睷朮潯汧瑥条敳癲捩獥挮浯琯条樯⽳灧⹴獪㬧 †慶⁲潮敤㴠搠捯浵湥⹴敧䕴敬敭瑮䉳呹条慎敭✨捳楲瑰⤧せ㭝 †潮敤瀮牡湥乴摯⹥湩敳瑲敂潦敲木摡ⱳ渠摯⥥਻素⠩㬩㰊猯牣灩㹴ਊ猼牣灩⁴祴数✽整瑸樯癡獡牣灩❴ਾ朠潯汧瑥条挮摭瀮獵⡨畦据楴湯⤨笠 †潧杯敬慴⹧敤楦敮汓瑯✨㤯㤵㌶㤵⼶剔彉〳堰㔲弰晤❰‬㍛〰‬㔲崰‬搧癩札瑰愭ⵤ㐱〵〲ㄴ㤵㈱ⴶ✰⸩摡卤牥楶散木潯汧瑥条瀮扵摡⡳⤩਻†朠潯汧瑥条搮晥湩卥潬⡴⼧㔹㘹㔳㘹启䥒慟潢敶㝟㠲㥸弰晤❰‬㝛㠲‬〹ⱝ✠楤⵶灧⵴摡ㄭ㔴㈰㐰㔱ㄹ㘲ㄭ⤧愮摤敓癲捩⡥潧杯敬慴⹧異慢獤⤨㬩 †潧杯敬慴⹧敤楦敮汓瑯✨㤯㤵㌶㤵⼶剔彉敢潬彷㈷砸〹摟灦Ⱗ嬠㈷ⰸ㤠崰‬搧癩札瑰愭ⵤ㐱〵〲ㄴ㤵㈱ⴶ✲⸩摡卤牥楶散木潯汧瑥条瀮扵摡⡳⤩਻†朠潯汧瑥条瀮扵摡⡳⸩湥扡敬楓杮敬敒畱獥⡴㬩 †潧杯敬慴⹧湥扡敬敓癲捩獥⤨਻素㬩㰊猯牣灩㹴ਊ㰊捳楲瑰琠灹㵥琢硥⽴慪慶捳楲瑰㸢ਠ昨湵瑣潩⡮獩⥖笊 †椠⡦℠獩⁖਩††੻††††敲畴湲਻††੽††慶⁲摡杍⁲‽敮⁷摁慍慮敧⡲㬩 †瘠牡氠捹獯灟潲彤敳⁴‽摡杍⹲档潯敳牐摯捵却瑥⤨਻††慶⁲汳瑯⁳‽≛敬摡牥潢牡≤‬氢慥敤扲慯摲∲‬琢潯扬牡楟慭敧Ⱒ∠潴汯慢彲整瑸Ⱒ∠浳污扬硯Ⱒ∠潴彰牰浯≯‬昢潯整㉲Ⱒ∠汳摩牥崢਻††慶⁲摡慃⁴‽桴獩氮捹獯慟彤慣整潧祲਻††摡杍⹲敳䙴牯散偤牡浡✨慰敧Ⱗ⠠摡慃⁴☦愠䍤瑡搮潭⥺㼠愠䍤瑡搮潭⁺›洧浥敢❲㬩 †椠⁦琨楨⹳祬潣彳敳牡档煟敵祲਩††੻††††摡杍⹲敳䙴牯散偤牡浡∨敫睹牯≤‬桴獩氮捹獯獟慥捲彨畱牥⥹਻††⁽ †攠獬⁥晩愨䍤瑡☠…摡慃⹴楦摮睟慨⥴ †笠 †††愠䵤牧献瑥潆捲摥慐慲⡭欧祥潷摲Ⱗ愠䍤瑡昮湩彤桷瑡㬩 †素 †ਠ††潦⁲瘨牡猠椠汳瑯⥳ †笠 †††瘠牡猠潬⁴‽汳瑯孳嵳਻††††晩⠠摡杍⹲獩汓瑯癁楡慬汢⡥汳瑯⤩ †††笠 †††††琠楨⹳祬潣彳摡獛潬嵴㴠愠䵤牧朮瑥汓瑯猨潬⥴਻††††੽††੽ †愠䵤牧爮湥敤䡲慥敤⡲㬩 †愠䵤牧爮湥敤䙲潯整⡲㬩紊⠨畦据楴湯⤨笠ਊ慶⁲⁷‽ⰰ栠㴠〠‬業楮畭呭牨獥潨摬㴠㌠〰਻椊⁦琨灯㴠‽敳晬਩੻††敲畴湲琠畲㭥紊椊⁦琨灹潥⡦楷摮睯椮湮牥楗瑤⥨㴠‽渧浵敢❲⤠笊 †眠㴠眠湩潤⹷湩敮坲摩桴਻††⁨‽楷摮睯椮湮牥效杩瑨਻੽汥敳椠⁦搨捯浵湥⹴潤畣敭瑮汅浥湥⁴☦⠠潤畣敭瑮搮捯浵湥䕴敬敭瑮挮楬湥坴摩桴簠⁼潤畣敭瑮搮捯浵湥䕴敬敭瑮挮楬湥䡴楥桧⥴਩੻††⁷‽潤畣敭瑮搮捯浵湥䕴敬敭瑮挮楬湥坴摩桴਻††⁨‽潤畣敭瑮搮捯浵湥䕴敬敭瑮挮楬湥䡴楥桧㭴紊攊獬⁥晩⠠潤畣敭瑮戮摯⁹☦⠠潤畣敭瑮戮摯⹹汣敩瑮楗瑤⁨籼搠捯浵湥⹴潢祤挮楬湥䡴楥桧⥴਩੻††⁷‽潤畣敭瑮戮摯⹹汣敩瑮楗瑤㭨 †栠㴠搠捯浵湥⹴潢祤挮楬湥䡴楥桧㭴紊爊瑥牵⠨⁷‾業楮畭呭牨獥潨摬
☦⠠⁨‾業楮畭呭牨獥潨摬⤩਻⡽⤩⤩਻ਊਊ楷摮睯漮汮慯⁤‽畦据楴湯⤨笊 †瘠牡映㴠搠捯浵湥⹴敧䕴敬敭瑮祂摉∨潆瑯牥摁⤢਻††慶⁲⁢‽潤畣敭瑮朮瑥汅浥湥獴祂慔乧浡⡥戢摯≹嬩崰਻††⹢灡数摮桃汩⡤⥦਻††⹦瑳汹⹥楤灳慬⁹‽戢潬正㬢 †搠捯浵湥⹴敧䕴敬敭瑮祂摉✨祬潣䙳潯整䅲楤牆浡❥⸩牳⁣‽⼧摡⽭摡是潯整䅲⹤晩慲敭栮浴❬਻††ਊ †ਠ††⼯䐠䵏䤠橮䄠੤††昨湵瑣潩⡮獩牔汥楬⥸ †笠 †††瘠牡攠㴠搠捯浵湥⹴牣慥整汅浥湥⡴椧牦浡❥㬩 †††攠献祴敬戮牯敤⁲‽〧㬧 †††攠献祴敬洮牡楧‽㬰 †††攠献祴敬搮獩汰祡㴠✠汢捯❫਻††††⹥瑳汹⹥獣䙳潬瑡㴠✠楲桧❴਻††††⹥瑳汹⹥敨杩瑨㴠✠㔲瀴❸਻††††⹥瑳汹⹥癯牥汦睯㴠✠楨摤湥㬧 †††攠献祴敬瀮摡楤杮㴠〠਻††††⹥瑳汹⹥楷瑤⁨‽㌧〰硰㬧ਊ †††瘠牡椠䉳潬敫䉤䑹浯楡‽畦据楴湯
牨晥⤠ †††笠 †††††瘠牡戠潬正摥潄慭湩⁳‽ਜ਼††††††††愢慮祮灡牯ㅮ〳〰琮楲潰⹤潣≭ਬ††††††††砢硸潰湲硸⹸牴灩摯挮浯ਢ††††††㭝 †††††瘠牡映慬⁧‽慦獬㭥 †††††ਠ††††††潦⡲瘠牡椠〽※㱩汢捯敫䑤浯楡獮氮湥瑧㭨椠⬫⤠ †††††笠 †††††††椠⡦栠敲⹦敳牡档
汢捯敫䑤浯楡獮⁛⁩⁝
㴾〠⤠ †††††††笠 †††††††††映慬⁧‽牴敵਻††††††††੽††††††੽††††††敲畴湲映慬㭧 †††素ਊ††††慶⁲敧䵴瑥䍡湯整瑮㴠映湵瑣潩⡮洠瑥乡浡⁥਩††††੻††††††慶⁲敭慴⁳‽潤畣敭瑮朮瑥汅浥湥獴祂慔乧浡⡥洧瑥❡㬩 †††††映牯⠠㵩㬰椠洼瑥獡氮湥瑧㭨椠⬫਩††††††⁻ †††††††椠⡦洠瑥獡楛⹝敧䅴瑴楲畢整∨慮敭⤢㴠‽敭慴慎敭⤠ †††††††笠ਠ††††††††††敲畴湲洠瑥獡楛⹝敧䅴瑴楲畢整∨潣瑮湥≴㬩ਠ††††††††⁽ †††††素 †††††爠瑥牵慦獬㭥 †††素 †††ਠ††††慶⁲敧䍴浯敭瑮潎敤⁳‽畦据楴湯爨来硥慐瑴牥⥮ †††笠 †††††瘠牡渠摯獥㴠笠㭽 †††††瘠牡渠摯獥⁁‽嵛਻††††††慶⁲牰晥牥敲乤摯獥楌瑳㴠嬠愧Ⱗ✠❣‬戧崧਻†††† †††††⠠畦据楴湯朠瑥潎敤味慨䡴癡䍥浯敭瑮⡳Ɱ瀠瑡整湲਩††††††੻††††††††晩⠠⹮慨䍳楨摬潎敤⡳⤩ †††††††笠 †††††††††椠⁦渨琮条慎敭㴠㴽✠䙉䅒䕍⤧ †††††††††笠 †††††††††††爠瑥牵慦獬㭥 †††††††††素 †††††††††映牯⠠慶⁲⁩‽㬰椠㰠渠挮楨摬潎敤⹳敬杮桴※⭩⤫ †††††††††笠 †††††††††††椠⁦⠨⹮档汩乤摯獥楛⹝潮敤祔数㴠㴽㠠
☦⠠慰瑴牥⹮整瑳渨挮楨摬潎敤孳嵩渮摯噥污敵⤩਩††††††††††††੻††††††††††††††慶⁲牡慥慎敭㴠瀠瑡整湲攮數⡣⹮档汩乤摯獥楛⹝潮敤慖畬⥥ㅛ㭝 †††††††††††††渠摯獥慛敲乡浡嵥㴠渠਻††††††††††††੽††††††††††††汥敳椠⁦渨挮楨摬潎敤孳嵩渮摯呥灹⁥㴽‽⤱ †††††††††††笠 †††††††††††††朠瑥潎敤味慨䡴癡䍥浯敭瑮⡳⹮档汩乤摯獥楛ⱝ瀠瑡整湲㬩 †††††††††††素 †††††††††素 †††††††素 †††††素搨捯浵湥⹴潢祤‬敲敧偸瑡整湲⤩਻ †††††映牯⠠慶⁲⁩湩瀠敲敦牲摥潎敤䱳獩⥴ †††††笠 †††††††椠⁦渨摯獥灛敲敦牲摥潎敤䱳獩孴嵩⥝ †††††††笠 †††††††††椠⡦椠味敲汬硩☠…潮敤孳牰晥牥敲乤摯獥楌瑳楛嵝瀮牡湥乴摯⹥慰敲瑮潎敤瀮牡湥乴摯⹥慰敲瑮潎敤⤠ †††††††††笠 †††††††††††渠摯獥⹁異桳渨摯獥灛敲敦牲摥潎敤䱳獩孴嵩⹝慰敲瑮潎敤瀮牡湥乴摯⹥慰敲瑮潎敤瀮牡湥乴摯⥥਻††††††††††੽††††††††††汥敳 †††††††††笠 †††††††††††渠摯獥⹁異桳
潮敤孳牰晥牥敲乤摯獥楌瑳楛嵝⤠਻††††††††††੽††††††††੽††††††੽††††††敲畴湲渠摯獥㭁 †††素 †††ਠ†††† †††瘠牡瀠潲数乲摯⁥‽畮汬਻††††慶⁲牡慥潎敤⁳‽敧䍴浯敭瑮潎敤⡳渠睥删来硅⡰✠慞敲⁡祔数∽牡慥⡟屜⭷∩‧
㬩ਊ††††潦⁲瘨牡椠㴠〠※⁩‼牡慥潎敤⹳敬杮桴※⭩⤫ †††笠 †††††瘠牡愠㴠瀠牡敳湉⡴敧䍴浯異整卤祴敬愨敲乡摯獥楛⥝眮摩桴㬩 †††††椠⁦⠨⁡㴾㌠〰
☦⠠⁡㴼㐠〰⤩ †††††笠 †††††††瀠潲数乲摯⁥‽牡慥潎敤孳嵩਻††††††††牢慥㭫 †††††素 †††素ਊ †††瘠牡瀠潲数瑲乹浡⁥‽敧䵴瑥䍡湯整瑮∨牰灯牥祴⤢簠⁼慦獬㭥 †††椠⡦椠味敲汬硩☠…瀨潲数乲摯⥥⤠ †††笠 †††††攠献捲㴠✠愯浤愯⽤湩敪瑣摁椮牦浡⹥瑨汭㬧 †††††瀠潲数乲摯⹥湩敳瑲敂潦敲攨‬牰灯牥潎敤昮物瑳桃汩⥤਻††††੽††††汥敳椠⡦椠味敲汬硩☠…⠡瀠潲数乲摯⁥

⼯匠慬⁰桴⁥摡攠敶瑮潨杵瑨琠敨敲椠⁳潮愠潬慣整⁤汳瑯 †††笠 †††††攠献捲㴠✠愯浤愯⽤湩敪瑣摁椮牦浡⹥瑨汭㬧 †††††攠献祴敬挮獳汆慯⁴‽渧湯❥਻††††††慶⁲摣癩㴠搠捯浵湥⹴牣慥整汅浥湥⡴搧癩⤧਻††††††摣癩献祴敬㴠∠楷瑤㩨〳瀰㭸慭杲湩ㄺ瀰⁸畡潴∻਻††††††摣癩愮灰湥䍤楨摬
⁥㬩 †††††戠椮獮牥䉴晥牯⡥摣癩‬⹢慬瑳桃汩⥤਻††††੽††††汥敳椠⡦℠獩求歯摥祂潄慭湩
潬慣楴湯栮敲⁦
਩††††੻††††††慶⁲湩䙪㴠搠捯浵湥⹴牣慥整汅浥湥⡴椧牦浡❥㬩 †††††椠橮⹆瑳汹⹥潢摲牥㴠✠✰਻††††††湩䙪献祴敬洮牡楧‽㬰 †††††椠橮⹆瑳汹⹥楤灳慬⁹‽戧潬正㬧 †††††椠橮⹆瑳汹⹥獣䙳潬瑡㴠✠潮敮㬧 †††††椠橮⹆瑳汹⹥敨杩瑨㴠✠㔲瀴❸਻††††††湩䙪献祴敬漮敶晲潬⁷‽栧摩敤❮਻††††††湩䙪献祴敬瀮摡楤杮㴠〠਻††††††湩䙪献祴敬眮摩桴㴠✠〳瀰❸਻††††††湩䙪献捲㴠✠愯浤愯⽤湩敪瑣摁椮牦浡⹥瑨汭㬧ਊ††††††晩
⁢☦⠠℠獩牔汥楬⁸籼⠠琠灹潥⁦獩牔汥楬⁸㴽∠湵敤楦敮≤⤠⤠⤠⼠ 汁瑯敨⁲牴灩摯瀠潲獰 †††††笠 †††††††瘠牡挠楤⁶‽潤畣敭瑮挮敲瑡䕥敬敭瑮✨楤❶㬩 †††††††挠楤⹶瑳汹⁥‽眢摩桴㌺〰硰活牡楧㩮〱硰愠瑵㭯㬢 †††††††挠楤⹶灡数摮桃汩⡤椠橮⁆㬩 †††††††戠椮獮牥䉴晥牯⡥摣癩‬⹢慬瑳桃汩⥤਻††††††⁽ †††素 素
潤畣敭瑮椮味敲汬硩⤠㬩紊ਊ⼼捳楲瑰ਾ㰊楤⁶摩∽扴损湯慴湩牥•瑳汹㵥戢捡杫潲湵㩤䐣䑆䍃㭆戠牯敤⵲潢瑴浯ㄺ硰猠汯摩⌠㤳㤳㤳※潰楳楴湯爺汥瑡癩㭥稠椭摮硥㤺㤹㤹㤹㤹椡灭牯慴瑮㸢㰊ⴡ昭牯慮敭∽敳牡档•湯畓浢瑩∽敲畴湲猠慥捲楨⡴∩椠㵤栧慥敤彲敳牡档‧ਾ椼灮瑵琠灹㵥琢硥≴瀠慬散潨摬牥∽敓牡档•楳敺㌽‰慮敭∽敳牡档∲瘠污敵∽㸢㰊湩異⁴祴数∽畢瑴湯•慶畬㵥䜢Ⅿ•湯汃捩㵫猢慥捲楨⡴∩ਾ⼼潦浲ਾ猼祴敬ਾ潦浲栣慥敤彲敳牡档笠 †眠摩桴›ㄹ瀶㭸 †洠牡楧㩮〠愠瑵瀸㭸 †瀠獯瑩潩㩮爠汥瑡癩㭥紊ਊ昊牯⍭敨摡牥獟慥捲⁨湩異⁴੻††敨杩瑨›〴硰਻††潦瑮猭穩㩥ㄠ瀴㭸 †氠湩ⵥ敨杩瑨›〴硰਻††慰摤湩㩧〠㠠硰਻††潢⵸楳楺杮›潢摲牥戭硯਻††慢正牧畯摮›䘣䘴䔲㬹 †戠牯敤㩲ㄠ硰猠汯摩⌠䉂㡂㡂਻††牴湡楳楴湯›慢正牧畯摮挭汯牯㌠〰獭攠獡ⵥ畯ⱴ †††††††挠汯牯㌠〰獭攠獡㭥紊ਊ潦浲栣慥敤彲敳牡档椠灮瑵瑛灹㵥琢硥≴⁝੻††楷瑤㩨ㄠ〰㬥紊昊牯⍭敨摡牥獟慥捲⁨湩異孴祴数∽整瑸崢昺捯獵笠 †戠牯敤⵲潣潬㩲⌠㉁い㐵਻††慢正牧畯摮挭汯牯›昣晦਻††潢⵸桳摡睯›‰瀰⁸㈱硰ⴠ瀴⁸䄣䐲㔰㬴紊ਊਊ潦浲栣慥敤彲敳牡档椠灮瑵瑛灹㵥戢瑵潴≮⁝੻††潰楳楴湯›扡潳畬整਻††潴㩰ㄠ硰਻††楲桧㩴ㄠ硰਻††灯捡瑩㩹ㄠ਻††慢正牧畯摮›䐣䑆䍃㭆 †挠汯牯›㐣㌶㌷㬴 †眠摩桴›㈱瀵㭸 †挠牵潳㩲瀠楯瑮牥਻††敨杩瑨›㠳硰਻††潢摲牥›潮敮਻੽潦浲栣慥敤彲敳牡档椠灮瑵瑛灹㵥琢硥≴㩝潦畣⁳⁾湩異孴祴数✽畢瑴湯崧栺癯牥ਬ潦浲栣慥敤彲敳牡档椠灮瑵瑛灹㵥戧瑵潴❮㩝潨敶⁲੻††慢正牧畯摮挭汯牯›䄣䌵㕅㬶 †挠汯牯›昣晦਻੽潦浲栣慥敤彲敳牡档椠灮瑵瑛灹㵥琢硥≴㩝潦畣⁳⁾湩異孴祴数✽畢瑴湯崧笠 †戠捡杫潲湵ⵤ潣潬㩲⌠㈵䕁䙄਻††潣潬㩲⌠晦㭦紊ਊ⼼瑳汹㹥ਊ猼牣灩㹴昊湵瑣潩敳牡档瑩⤨੻†† †⼠ 敤整浲湩⁥湥楶潲浮湥⁴ †瘠牡猠慥捲彨湥⁶ †椠⁦氨捹獯慟彤睷彷敳癲牥椮摮硥晏∨瀮⹤⤢㸠ⴠ⤱笠 †††敳牡档敟癮㴠✠瑨灴⼺猯慥捲㕨⸱摰氮捹獯挮浯愯✯਻††⁽汥敳椠⁦氨捹獯慟彤睷彷敳癲牥椮摮硥晏∨焮⹡⤢㸠ⴠ⤱笠 †††敳牡档敟癮㴠✠瑨灴⼺猯慥捲㕨⸱慱氮捹獯挮浯愯✯਻††⁽汥敳笠 †††敳牡档敟癮㴠✠瑨灴⼺猯慥捲㕨⸱祬潣⹳潣⽭⽡㬧 †素ਊ慶⁲敳牡档瑟牥‽湥潣敤剕䍉浯潰敮瑮搨捯浵湥⹴敳牡档献慥捲㉨瘮污敵਩慶⁲敳牡档畟汲㴠猠慥捲彨湥⭶敳牡档瑟牥㭭眊湩潤⹷灯湥猨慥捲彨牵⥬਻爊瑥牵慦獬੥੽⼼捳楲瑰ⴭਾ猼祴敬ਾ††愮䍤湥整䍲慬獳浻牡楧㩮‰畡潴੽⼼瑳汹㹥㰊楤⁶摩∽扴慟≤挠慬獳∽摡敃瑮牥汃獡≳猠祴敬∽楤灳慬㩹汢捯Ⅻ浩潰瑲湡㭴漠敶晲潬㩷楨摤湥※楷瑤㩨ㄹ瀶㭸㸢ਊ搼癩椠㵤愢彤潣瑮楡敮≲猠祴敬∽楤灳慬㩹汢捯Ⅻ浩潰瑲湡㭴映潬瑡氺晥㭴眠摩桴㜺㠲硰∠ਾ猼牣灩⁴祴数∽整瑸樯癡獡牣灩≴ਾ晩⠠祴数景氠捹獯慟⁤㴡‽產摮晥湩摥•☦∠敬摡牥潢牡≤椠祬潣彳摡
੻†潤畣敭瑮眮楲整氨捹獯慟孤氧慥敤扲慯摲崧㬩紊㰊猯牣灩㹴㰊搯癩ਾ⼼楤㹶㰊搯癩ਾ猼牣灩⁴祴数∽整瑸樯癡獡牣灩≴ਾ晩⠠祴数景氠捹獯慟⁤㴡‽產摮晥湩摥•☦∠汳摩牥•湩氠捹獯慟⥤笠 搠捯浵湥⹴牷瑩⡥祬潣彳摡❛汳摩牥崧㬩紊㰊猯牣灩㹴㰠ⴡ‭摡敤⁤⼷㈲ⴠ㸭㰊楤⁶摩∽潆瑯牥摁•瑳汹㵥戢捡杫潲湵㩤䐣䑆䍃㭆戠牯敤⵲潴㩰瀱⁸潳楬⁤㌣㌹㌹㬹挠敬牡戺瑯㭨搠獩汰祡渺湯㭥眠摩桴ㄺ〰℥浩潰瑲湡㭴瀠獯瑩潩㩮敲慬楴敶※⵺湩敤㩸㤹㤹㤹椡灭牯慴瑮※敨杩瑨㤺瀰ⅸ浩潰瑲湡≴‾㰊楤⁶汣獡㵳愢䍤湥整䍲慬獳•瑳汹㵥搢獩汰祡戺潬正椡灭牯慴瑮※癯牥汦睯栺摩敤㭮眠摩桴㤺㘱硰∻ਾ搼癩椠㵤昢潯整䅲彤潣瑮楡敮≲猠祴敬∽楤灳慬㩹汢捯Ⅻ浩潰瑲湡㭴映潬瑡氺晥㭴眠摩桴㜺㠲硰㸢㰊晩慲敭椠㵤氢捹獯潆瑯牥摁䙩慲敭•瑳汹㵥戢牯敤㩲㬰搠獩汰祡戺潬正※汦慯㩴敬瑦※敨杩瑨㤺瀶㭸漠敶晲潬㩷楨摤湥※慰摤湩㩧㬰眠摩桴㜺〵硰㸢⼼晩慲敭ਾ⼼楤㹶㰊搯癩ਾ⼼楤㹶ਊ